Sin Mung To To

Shot mainly from Bram's point of view, Sin Mung To To tells a story that is dear to our (especially our director's) hearts and calls on the familiar feeling of childhood nostalgia mixed with the confusion and disorientation we sometimes feel as children trying to grasp the world around us. 

This shoot, like Angin Malam, was done in Salatiga and with the same team (with and without a few other crew members). It was, however, also a bigger shoot, spanning three shoot days, and was unbelievably fun. All in all, we had an incredible team, so the shoot felt more like a family holiday than work, and we all had the chance to explore and try new things in all of our departments. 

I am working on an article about all the design elements I made for this shoot, so do stay tuned for that!